The silhouettes so often employed by the trendiest fashion bloggers and editors meets colour and imagination, finally. Fendi has created the embodiment of twenty-first century chic while simultaneously injecting colour and substance, as the continuation some of their more successful motifs from Spring/ Summer. The familiar alligator tails in leather can be seen on some of the bags, as well as the owl bag charms alongside some of Fendi's signature totes. Accessories aside, this collection had a greater emphasis on the tailoring of the pants and aforementioned silhouettes exaggerated by the slightly unnatural poses of the model. Don't get me wrong I love being sold on the idea of transcending all human capabilities and never feeling awkward or uncomfortable but when attempting some of these slouchy gravity-bending poses, in reality, they look far less spectacular. Jibes aside I was intrigued by those statement jackets and long skirts combining the best of troupe-like obsessions with the splendor of high fashion.
Although it's only a short collection, I feel like Fendi were able to curate a number of different ideas and execute them well. Each outfit was holistic in its approach, but lacked cohesion necessary for either Spring or Fall. In many ways it was a composite of some of the house's more decadent, as well as their more well-received pieces all rolled into one. There was also some tentative experimentation with texture in addition to those spectacular colorways. On a completely unrelated note, after staring transfixed at the mysterious floating model, as well as circular designs featured on a number of shoes that there are explicit mod references within this collection. Of course, it's all so subtle and with the pseudo-uppercut featured in a number of different looks it all feels so modern. In reality the collection does not belong to a particular decade or heavily borrow from a specific place- it exists across all time and outside it. Fashion collections have that kind of mind-altering affect on me, especially after I have spend hours staring at coal or have had very little sleep. Floating models don't help that either.